We spent four days seeing as much as we could of the 20th year of Asian Art in London, a veritable panoply of wonderful things on display and many on offer. Here are our favorite objects and exhibits, in no particular order.
Eskenazi Limestone Hands being a portion of a much larger funerary piece and curiously modern in its appearance. Northern Qi period 550-575. Xiangtangshan Cave Temples. From Eskenazi’s exhibition of Six Dynasties Art from the Norman A Kurland Collection. Photo Paul Harris
Marchant Kangxi Famille Verte Within their Kensington Church Street premises old-established dealers Marchant held a breathtaking exhibition of Kangxi famille verte pieces put together by them from stock items dating back more than a decade and including several bearing the provenance of The Metropolitan Museum of Art in New York. A great show. Photo Paul Harris
Ben Janssens Their lease at an end in their Jermyn Street premises, Ben Janssens put on his show, as usual marked by the exquisite small objects on display, in temporary space in Old Bond Street. We particularly liked the exhibit in the foreground Group of Black Pottery Horses, Figures and a Carriage (Yuan Dynasty 1279-1368). Photo Paul Harris
Berwald Our attention was grabbed by this evocative rendering of a Silk Road mercant and his camel. Tang Dynasty. Photo Paul Harris
Cohen & Cohen showed their usual large selection of Chinese export pieces, this time in the capacious premises of Colnaghis in St James’s which served to show off the exhibits at their best. Probably the most eyecatching was a pair of wall sconces, design attributed to Cornelius Pronck (1736-40) and entitled The Flamethrower. If you need to ask the price, you can’t afford it . . . offers please in the region of £280,000 for these exquisite pieces. Photo Paul Harris
East Meets West Exhibition at The Design Centre in Chelsea concentrating on the work of contemporary young Japanese and Chinese artists. Centre, The Winter at Lianghe Village (2011) a woodcut by Yu Chengyou. Photo Paul Harris